The Southwest — Jerry Franklin and the Southwest Cue

How a Las Vegas workshop earned a national reputation.

The American Southwest did not invent the custom cue, but it became home to one of the modern craft's most closely watched names.

Jerry Franklin was born in Kansas in 1953. In 1982, he and his family moved to Las Vegas, where he established Southwest Cues. The workshop developed a following among players and collectors, and the name became associated with carefully made cues built in limited quantities.

The reputation did not come from a large advertising campaign. It spread through players who used the cues, discussed them, and recommended them to others.

The Traditional Point

Southwest cues are often recognized by their traditional pointed forearms, contrasting veneers, and careful woodwork. But the design alone does not explain their standing. A cue is a long, narrow structure made from materials that respond to changes in humidity and temperature. Its components must be prepared and assembled so that the instrument remains straight and performs consistently.

The Southwest operation became known for a methodical approach to construction. That reputation also created a practical consequence: demand grew beyond what a small workshop could quickly supply.

Franklin died suddenly in 1996 at the age of 42. His wife Laurie and the shop's workers continued the business, preserving the name and the workshop tradition he had started.

A Regional Name With National Reach

The term Southwest cue can refer to a specific maker and company, but it is sometimes used loosely to suggest a broader style. Those meanings should not be confused.

Not every cue made in the Southwest follows the Southwest Cues approach. Nor does the company's reputation mean that its construction is the only legitimate way to build a playing cue. Its importance is more specific: Franklin created a workshop whose work became sought after well beyond Nevada.

That is how regional reputations grow. A maker builds a cue. A player takes it on the road. Someone notices it, asks about it, and carries the name to another room.

The desert was only the beginning of the journey.

Shane Marius

Shane Marius writes about the history and culture of billiards, with a particular interest in the people, places, equipment, and stories that shaped the American game. His work explores billiards not simply as a sport, but as a window into American life, from the old poolrooms and players to the craftsmen and characters who made the game what it was.

https://www.shanemarius.com
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California — Bert Schrager and the One-Man Workshop